Race, Ethnicity, and Gang Violence: Exploring Multicultural Tensions in Contemporary Danish Cinema

Abstract

ABSTRACT: One of the most striking genre conventions to emerge in Danish cinema in recent years is the gangster motif. Replete with gritty social realism, urban decay, and tribal warfare between different ethnic groups, these films reflect a growing discontent in the Danish welfare state, particularly regarding multiculturalism and inclusion. This article follows these trends from the mid-1990s, focusing specifically on the themes of ethnic division in four films: Nicolas Winding Refn’s Pusher (1996), Michael Noer’s Nordvest (2013) [Northwest], Omar Shargawi’s Gå med fred, Jamil (2008) [Go With Peace, Jamil], and Michael Noer and Tobias Lindholm’s R (2010) [R: Hit First, Hit Hardest]. The article explores racial division in these films by examining how they reflect or subvert cultural and political approaches towards diversity in Denmark over the last two decades.