Women have always worked—inside the home and outside the home, paid and unpaid, together
with husbands or independently, legally and not. That this was also true of women
in early modern Copenhagen is, in a nutshell, the point of University of Alaska-Fairbanks
professor emerita Carol Gold’s recent short book, Women and Business in Early Modern Copenhagen, 1740-1835, illustrated by several fascinating case studies of individual entrepreneurial Danish
women, such as Elisabeth Christine Berling, who ran Berlingske Tidende, the Godischeske Bogtrykkeri, and a brewery, and Elise Engelsen, who ran a school
at the same address as—but independently from—her husband. Gold states her premise
in the first line of the compact book and repeats it several times throughout, to
make sure the reader has grasped it, arguing that the very ubiquity of working women
in early modern Copenhagen explains their near-invisibility in the historical narrative
(though she does not explain why men, who were also very present in the workforce
of the time, are not equally invisible).
Through meticulous archival research, Gold has been able to recuperate details of
the lives of a great many early modern Danish women who worked for themselves, albeit
only in the visible, legal economy, in Copenhagen between approximately 1740 and 1835.
As Gold explains, her goal is not to offer a comprehensive survey of women’s occupations
in this period, but rather to provide a “study of those women who were legal and independent,
whose work was registered in
their own names. In other words, it is a study of the extent of the possible, of legal
options that were available to women” (13). Gold has compiled a database of more than
three thousand women who met these criteria,
from which she draws her statistics, charts, and conclusions. In the book, she discusses
several of the professions such women pursued, from lowly street vendors to market
sellers, food service workers, producers, service industry workers (including midwives,
barbers, schoolteachers, civil servants, and auctioneers), and business managers in
many fields (e.g. printing, brewing, trade, manufacturing) who were prosperous enough
to have substantial self-employment taxes required of them. She concludes that women
were represented in nearly every professional arena of the day, except for the clergy,
military, municipal government, and at sea. She also explores the ways in which these
women’s stories support and challenge the expectation that women primarily worked
in family businesses.
As befits a good historian, Gold spends a lot of time explaining her methodology and
demonstrates comfortable mastery of the place and era she describes in such detail,
making the book a pleasure to read for those interested in documentary history. The
book is engagingly written, with cheerful interjections and a fair amount of first-person
narration that makes the reader feel invested in Gold’s quest to solve the mystery
of the missing women. It also includes several full-colour illustrations of some of
the archival materials that Gold drew on, which is an unusual pleasure in a paperback
academic book. Unfortunately, although Gold invokes historian Laurel Thatcher Ulrichʼs
famous dictum about “well-behaved women” not making history, she does not succeed
in weaving these facts about well-behaved
early modern Danish women into a compelling historical narrative. Gold fails to offer
any sort of theoretical scaffolding for interpreting the significance of her material,
beyond the straightforward assertion that it proves women’s engagement in the labour
market and demonstrates their agency as “authors of their own stories” (35) who “took
active charge of their own lives” (39). This omission may disappoint those readers
hoping for a more complex sociohistorical
picture of women’s lives in early modern Denmark, which the book’s wealth of documentary
evidence would seem well-suited to illustrating.
Gold frequently addresses an implied audience of scholars and historians who may presumably
undertake a similar task or build on her work. Accordingly, she includes the Danish
original for most of the specialized terms that appear in the text, which is helpful
to scholars who work with Danish source material, but a few rather odd exceptions
would benefit from clarification. First, Gold uses the term “The 32 Men” frequently
in the book to describe the Copenhagen city council, but never gives the
official Danish term, Stadens 32 Mænd, nor any explanation for why “The” is consistently capitalized in all references
to the group, even though “de” (in the unofficial version of the council’s name, de
32 Mænd, is not consistently
capitalized in Danish). Second, Gold uses the French terms femme couvertes and femme sole to describe the legal status of women in early modern Denmark, but does not explain
whether there were equivalent Danish terms or, if so, why the French terms are used
here.
In the last few pages of the book, Gold takes a step back from the profusion of mundane
minutia that flesh out her case studies to offer some brief but helpful thoughts on
how a move toward promoting domesticity as a desired outcome for women’s lives and
talents in the nineteenth century contributed to erasing the memory of these many
enterprising, hardworking early modern Danish women. She warns readers to question
their expectations about what women did and did not do in the past, to become aware
of the Victorian filter promoting a revisionist view of women’s lives, and to recognize
that while economic necessity rather than gender liberation ideology motivated women
in every era to provide for themselves and their families, that doesn’t mean they
weren’t also very good at it.
Julie K. Allen